impressionist-impressionistic

AI绘画关键词莫奈篇

Claude Monet —— 莫奈

Impressionism —— 印象派

En Plein Air —— 户外写生

Light and Color —— 光线和色彩

Water Lilies —— 睡莲

Haystacks —— 干草堆

Rouen Cathedral —— 鲁昂大教堂

Japanese Bridge —— 日本桥

Giverny —— 吉维尼花园

Impression, Sunrise —— 印象，日出

Brushwork —— 笔触

Atmospheric Effects —— 大气效果

Reflections —— 反射

River Scenes —— 河边景色

Seascapes —— 海景

Plein Air Painting —— 户外写生绘画

Texture —— 质感

Landscape Painting —— 风景画

Color Harmonies —— 色彩和谐

Light and Shadow —— 光与影

Impressionist Gardens —— 印象派花园

Impasto Technique —— 厚涂技法

French Countryside —— 法国乡村

Natural Light —— 自然光

Serene Atmosphere —— 宁静氛围

Floral Paintings —— 花卉画

Monet's Garden —— 莫奈的花园

Breaking Tradition —— 打破传统

Capture of Fleeting Moments —— 捕捉瞬间

Impressionist Landscapes —— 印象派风景画

Expressive Skies —— 富有表现力的天空

Water Reflections —— 水的倒影

Vibrant Colors —— 生动的色彩

Light Effects on Water —— 水上的光影效果

Changing Seasons —— 不同的季节

Outdoor Studies —— 户外研究

Plein Air Techniques —— 户外技巧

Impressionist Cityscapes —— 印象派城市景观

Subtle Transitions —— 细微的过渡

Impressionist Portraits —— 印象派肖像画

Capturing Atmosphere —— 捕捉氛围

Soft Focus —— 柔化焦点

Light on Water —— 水上的光线

Impressionist Still Life —— 印象派静物画

Brushstrokes of Movement —— 运动的笔触

Plein Air Sketches —— 户外速写

Natural Landscapes —— 自然风景

Impressionist Seascapes —— 印象派海景画

Play of Light and Shadow —— 光影的变幻

Atmospheric Landscapes —— 充满气氛的风景画

Impressionist Interiors —— 印象派室内画

Capturing the Essence —— 捕捉本质

Impressionist Flowers —— 印象派花卉画

Outdoor Color Studies —— 户外色彩研究

Sunlit Scenes —— 阳光照射的场景

Impressionist Urban Scenes —— 印象派城市场景

Effortless Brushwork —— 轻松的笔触

Reflections on Water —— 水上的倒影

Impressionist Figurative Paintings —— 印象派人物画

Subtle Light Effects —— 细微的光影效果

留下好的第一印象英语

你好，如何准备GRE阅读背景知识？

可以抽一点时间，利用相关资料(比如

wikipedia)，多去了解一下GRE社科类阅读爱考的知识。以往年经验来看，GRE社科类阅读非常喜欢考黑人文学Black

literature，黑人音乐Black

music(尤其是Jazz)，妇女(包括妇女地位的改变，妇女文学)，艺术类包括impressionist、modernist等。

GRE考试阅读务必多留意一下上述知识的代表人物!比如Ragtime就是Jazz的代表人物及一种风格。并不是要求大家知道这个人物做了什么，只需要混个眼熟，考试的时候万一碰到一大串人名，能对其中一两个有点眼熟，能大概猜测出来是关于什么的就行!等到时候文章做得比较熟了，那时往往你自己也大概了解了社科类的阅读喜欢考哪些领域了。

都德中英文简介

留下好的第一印象英语是put best foot forward。

“印象”是指某人或某事给你的感觉或看法（a feeling or an opinion that you get about somebody/something, or that somebody/something gives you），“留个好印象”可以翻译为“put best foot forward”，这个英文习语可以表示“To try to act as an ideal version of oneself, typically to try to impress others”。

例句：

1、如果你想要得到这份工作的话，你真的需要在面试中留个好印象。

You really need to put your best foot forward in the interview if you want to get this job.

2、每当我和别人第一次见面时，我都尽量留个好印象。

I try to put my best foot forward whenever I meet someone for the first time.

短语搭配：

1、印象派impressionist school; impressionist。

2、印象分brownie/Brownie points。

3、印象派艺术impressionist art。

4、印象诊断impression diagnosis。

5、形成印象get the idea (that)。

谁帮我分析一下句子成分

阿尔封斯·都德（Alphonse Daudet）（1840年5月13日－1897年12月17日），法国写实派小说家，有自己独特的风格。特别是他的短篇小说，《最后一课》、《柏林之围》等作品都已成为世界文学的珍品。

生平

都德生于法国南部普罗旺斯地区的尼姆，是家中第六个孩子。都德父亲是一个丝绸制造商，惨淡的生意和沉重的生活压力迫使他在1849年全家移居里昂，希冀大都市能使自己时来运转。1856年都德结束了在里昂学习，前往塞文山脉一家寄宿学校担任教师谋生。对于年仅16岁的都德，这一位置是非常不合适的。学生不听他的管教，校方也不支持他。1857年11月，都德被迫辞职，辞职几个月间都德仍然心有余悸，觉得出于不受管教的学生中。1858年他为了谋生开始文学创作。最先尝试写诗歌，后来写过剧本，但并不成功。

都德的《磨坊书简》描绘的风力磨坊

1868年都德出版长篇小说《小东西》，这是一部半自传体的小说，其中再现了他童年和少年谋生的经历，表现了一个涉世未深青年面对社会的孤独感，对雅克哥哥，邦邦等人物描写极为鲜明。但或许是因为过于忧伤的笔调，使得这部作品在当时不是很受欢迎。1869年都德出版短篇故事集《磨坊书简》，他用朴实而略带伤感的笔调将家乡普罗旺斯的日常生活，风土人情融入其中，受到很多读者欢迎。其中的《此房出售》一篇颇为感人。他还是1904年诺贝尔文学奖获得者弗雷德里克·米斯特拉尔的好友，曾为他写过一篇名叫《诗人米斯特拉尔》的散文，收在《磨坊书简》之中。

1870年普法战争爆发，都德入伍。1873年他发表了《月曜故事集》其中的《柏林之围》通过巴黎被普军攻陷和病人想象的攻占柏林的强烈对比，突出主人公的爱国精神。《最后一课》选取了法国把阿尔萨斯和洛林割让给德国历史背景下的最后一堂法语课，描写的令人感动，虽然与历史事实不符，因阿尔萨斯和洛林地区一向习惯用德语。除此之外都德还创作了大量长篇小说，其中《达拉斯贡的戴达伦》讽刺了一个自以为英雄盖世的人物，1874年的《小弗洛蒙特和大黎斯雷》让他成为当时最伟大的小说家之一，《不朽者》则讽刺了官方的最高学术机构-法兰西学士院。1897年都德去世，葬入拉雪兹公墓。

著作列表

《小东西》 (1868)

《磨坊书简》 (1869)

《达拉斯贡的戴达伦》 (1872)

《月曜故事集》 (1873)

《艺术家的妻子》 (1874)

《Robert Helmont》 (1874; English: Robert Helmont: the Diary of a Recluse (1896))

《小弗洛蒙特和大黎斯雷》 (1874)

《努马·胡梅斯当》 (1880)

《萨福》 (1884)

《阿尔卑斯山上的戴达伦》 (1885)

《不朽者》 (1888)

Alphonse Daudet (French: [dod?]; 13 May 1840 – 16 December 1897) was a French novelist. He was the father of writers Léon Daudet and Lucien Daudet.

Early life

Daudet was born in N?mes, France His family, on both sides, belonged to the bourgeoisie. The father, Vincent Daudet, was a silk manufacturer — a man dogged through life by misfortune and failure. Alphonse, amid much truancy, had a depressing boyhood. In 1856 he left Lyon, where his schooldays had been mainly spent, and began his career as a schoolteacher at Alès, Gard, in the south of France. The position proved to be intolerable and Daudet said later that for months after leaving Alès he would wake with horror, thinking he was still among his unruly pupils.

On 1 November 1857, he abandoned teaching and took refuge with his brother Ernest Daudet, only some three years his senior, who was trying, "and thereto soberly," to make a living as a journalist in Paris. Alphonse took to writing, and his poems were collected into a small volume, Les Amoureuses (1858), which met with a fair reception. He obtained employment on Le Figaro, then under Cartier de Villemessant's energetic editorship, wrote two or three plays, and began to be recognized in literary communities as possessing distinction and promise. Morny, Napoleon III's all-powerful minister, appointed him to be one of his secretaries — a post which he held till Morny's death in 1865.

Literary career

In 1866, Daudet's Lettres de mon moulin (Letters from My Windmill), written in Clamart, near Paris, and alluding to a windmill in Fontvieille, Provence, won the attention of many readers. The first of his longer books, Le petit chose (1868), did not, however, produce popular sensation. It is, in the main, the story of his own earlier years told with much grace and pathos. The year 1872 brought the famous Aventures prodigieuses de Tartarin de Tarascon, and the three-act play L'Arlésienne. But Fromont jeune et Risler a?né (1874) at once took the world by storm. It struck a note, not new certainly in English literature, but comparatively new in French. His creativeness resulted in characters that were real and also typical.

Jack, a novel about an illegitimate child, a martyr to his mother's selfishness, which followed in 1876, served only to deepen the same impression. Henceforward his career was that of a successful man of letters, mainly spent writing novels: Le Nabab (1877), Les Rois en exil (1879), Numa Roumestan (1881), Sapho (1884), L'Immortel (1888), and writing for the stage: reminiscing in Trente ans de Paris (1887) and Souvenirs d'un homme de lettres (1888). These, with the three Tartarins - Tartarin de Tarascon, Tartarin sur les Alpes, Port-Tarascon - and the short stories, written for the most part before he had acquired fame and fortune, constitute his life work.

L'Immortel is a bitter attack on the Académie fran?aise, to which august body Daudet never belonged. Daudet also wrote for children, including La Belle Nivernaise, the story of an old boat and her crew. In 1867 Daudet married Julia Allard, author of Impressions de nature et d'art (1879), L'Enfance d'une Parisienne (1883), and some literary studies written under the pseudonym "Karl Steen".

Daudet was far from faithful, and was one of a generation of French literary syphilitics. Having lost his virginity at the age of twelve, he then slept with his friends' mistresses throughout his marriage. Daudet would undergo several painful treatments and operations for his subsequently paralyzing disease. His journal entries relating to the pain he experienced from tabes dorsalis are collected in the volume In the Land of Pain, translated by Julian Barnes. Daudet died in Paris on 16 December 1897, and was interred at that city's Père Lachaise Cemetery.

Political and social views, controversy and legacy

Daudet was a monarchist and a fervent opponent of the French Republic. Daudet was also anti-Jewish, though less famously so than his son Léon. The main character of Le Nabab was inspired by a Jewish politician who was elected as a deputy for N?mes. Daudet campaigned against him and lost. Daudet counted many literary figures amongst his friends, including Edouard Drumont, who founded the Antisemitic League of France and founded and edited the anti-Semitic newspaper La Libre Parole. Daudet also exchanged anti-Semitic correspondence with Richard Wagner.

t has been argued that Daudet deliberately exaggerated his links to Provence to further his literary career and social success (following Frederic Mistral's success), including lying to his future wife about his "Proven?al" roots.

Numerous colleges and schools in contemporary France bear his name and his books are still widely read and several are still in print.

Works

Major works, and works in English translation (date given of first translation). For a complete bibliography see Alphonse Daudet Bibliography

Les Amoureuses (1858; poems, first published work).

Le Petit Chose (1868; English: Little Good-For-Nothing, 1885; or Little What's-His-Name, 1898).

Lettres de Mon Moulin (1869; English: Letters from my Mill, 1880, short stories).

Tartarin de Tarascon (1872; English: Tartarin of Tarascon, 1896).

L'Arlésienne (1872; novella originally part of Lettres de Mon Moulin made into a play)

Contes du Lundi (1873; English: The Monday Tales, 1900; short stories).

Les Femmes d'Artistes (1874; English: Artists' Wives, 1896).

Robert Helmont (1874; English: Robert Helmont: the Diary of a Recluse, 1896).

Fromont jeune et Risler a?né (1874; English: Fromont Junior and Risler Senior, 1894).

Jack (1876; English: Jack, 1897).

Le Nabab (1877; English: The Nabob, 1878).

Les Rois en Exil (1879; English: Kings in Exile, 1896).

Numa Roumestan (1880; English: Numa Roumestan: or, Joy Abroad and Grief at Home, 1884).

L'Evangéliste (1883; English: The Evangelist, 1883).

Sapho (1884; English: Sappho, 1886).

Tartarin sur les Alpes (1885; English: Tartarin on the Alps, 1891).

La Belle Nivernaise (1886; English: La Belle Nivernaise, 1892, juvenile).

L'Immortel (1888; English: One of the Forty, 1888).

Port-Tarascon (1890; English: Port Tarascon, 1890).

Rose and Ninette (1892; English: Rose and Ninette, 1892).

La Doulou (1930; English: In The Land of Pain, 2003; translator: Julian Barnes).

注：资料均来自，中英文非对应版本，请慎用，如果帮上忙的话请采纳哦~

急求关于印象派，抽象派，野兽派等流派的英文介绍，适合演讲通俗易懂的~谢谢

The impressionist style of painting 主语： 印象派的绘画风格

is characterized 谓语：特征是；以。。。为特征

by concentration on the general impression produced by a scene or object and the use of unmixed primary colors and small strokes to simulate actual reflected light. 介词短语作状语。其中produced by a scene or object 过去分词短语作后置定语修饰impression；动词不定式短语 to simulate actual reflected light.作目的状语。

全句的意思：印象派绘画风格的特征在于其对景色和物体所产生的总印象的关注以及为了模拟实际反射的光线而采用的纯原色和细微的笔触。

印象派：

Also called impressionism impressionism, 19th century 60-90, the rise of the school in France. When the painting by Claude monet was impressed by the law, a reporter at the name. 1874 there is a group of young artists in Paris on a road bonobo apartment held the first impressionist paintings, 31 impressionist painter. To the salon. Official Monet, renoir, including BiSha ROM, west weasley, degas, Cezanne and in cable, not only have different artists of the character and talent, and to some extent, they also have different ideas and tendency, but they born at the same time, have the same experience, and the opposition to the same struggle. They accept some magazine writer to their satire with ridicule taste the title of "-" impressionism. Impressionism Impressionism) is a western painting (painting art genre, and the epoch-making the 1970s reached its peak, its influence has spread throughout Europe and all over the world, but it is in France made the most splendid achievement. The nineteenth century to the beginning of the 20th century, a large French impressionist art emerged, they create a master is still popular classic masterpiece. The representative works, the MaNai lunch on the grass, monet, the impression of sunrise, van gogh's sunflower etc is famous.

抽象派：

Abstract painting (AbstractPainting) is referring to the twentieth century to mimic natural painting style, contain a variety of genre, is not a faction names: it is formed by long-term continuous evolution. But regardless of how the common factions, all attempts to break painting must imitate the traditional concept of nature. In the 1930s, and after the world war two, the abstract concepts derived from various forms, become the most popular, the twentieth century the most artistic style. "Abstract" is "concrete", the relative concept is the common things out of the point, comprehensive and into a new concept, this concept is called "abstract". "Abstract painting" (AbstractPainting) is referring to the twentieth century to imitate nature ", "the painting style abstract Speech, contain a variety of genre, is not a faction names: it is formed by long-term continuous evolution. But regardless of how the common factions, all attempts to break painting must imitate the traditional concept of nature. In the 1930s, and after the world war two, the abstract concepts derived from various forms, become the most popular, the twentieth century the most artistic style. Abstract paintings intuitive and creative imagination as the starting point, reject any symbolic, literariness, explanatory expressional gimmick, shape and colour alone will be comprehensive and organizations in the picture. So abstract paintings present pure color, shape is similar to the music. The development trend of the abstract paintings, is divided into: (one) the geometric abstract (or says the cold of abstract). This is The Broadway jazz" With the theory of Cezanne, cubism, constitute the new shape, as developed. Its characteristic is the tendency with geometry. The school can have (Mondrian). (2) the lyrical abstract (or says the hot abstraction. This is more artistic concept of high starting point, the socialism development, fauvism, with romance. The school can Kandinsky (Kandinsky).

野兽派：

In 1905 beast socialist named absalom exhibition in Paris, the autumn, the group headed by Matisse avant-garde artists exhibition hall in the same layer, caused a sensation. Some of these paintings image as "a tank paints stored in front of the public. While the later creating "cubism, the name of" the Nebraska magazine, Louis walter's sudden inspiration to think that a proper also suitable name. He stabbed in the purpose of color noise to the exhibition, find MaErKai (on, Albert, Marquet) of a Renaissance style of small statues and cried: "that's wild is locked in a cage!" More than (that's ROM is Italian Renaissance outstanding sculptors). Soon, this one in the pun, Nebraska, magazine published "the beast" name also soon widely. Following the cage when ", "the beast within" perform at one amazing exhibits, killing animals are huge increase, socialism upsurged momentum. This beginning of name, containing ironic later also gradually lost its derogatory sense. Beast socialist After the beast socialist continue Vincent van gogh impressionism, p. gauguin, p. Cezanne etc. To explore more subjective and strong, the artistic expression. The development of western painting, exerted an important influence. They absorb the east African art and the expression in painting, create a different from the attention of western classical painting, Jane, have obvious tendency of freehand brushwork in traditional Chinese painting. Someone took fauvism as broad as part of the expressionist movement. Also somebody thinks, PaBuShi beast, only is a movement in art as Matisse art career short a stage, a special attention line and color expression, without any program 缚 beam. Matisse memories later said: "for me, the beasts of the test is painting tool, I must have an expressive and meaningful way, blue, red, green and tied together." A community of wild ErSanNian have time only. Join this club artists later in different goals, continue to make new exploration. The 20th century is the first modern socialist in Europe, it is out of the inherent characteristics of objects, using concise color of lines and exaggerated color to achieve the colour in the picture released in full and independent, fauvism appeared in Europe from hundreds of traditional natural colour concept, fauvism release of meaning, is not dependent on any natural color and form the authenticity of their own, can have the qualities and characteristics.

From the French words FAUVISM (1905-1910) : "From the French Fauvism" is "Fauve" (wild) this word, how can so called? It is in the Beast socialist L905 fall in France in the exhibition, absalom a art critics have found a piece of sculpture "child" in a trunk like the Matisse, luo, hooray mann and young artist of the central, the gallery on the fifteenth century sculpture of, and hanging in the showroom near the painting is strong, style, color wild there is difference between: so the YiPingGu in a journal feeling: "write visit children were surrounded by the beast!" Then they sent to the term "the beast to call this young artist. After the twentieth century fauvism, one of the earliest forms of art movement. The painter is fauvism, after impressionism that painting to express feelings, not the subjective and ChangDaDan performance, application of strong applied colors and curved contour line and the ups and downs of the scenery to simplify will draw pictures, quite abounds ornamental. At the beginning of the 20th century the rise of a school - "fauvism." After a post-impressionist early 20th century, the rise of a painting, first is "fauvism." The name is accidental fauvism. The Paris salon in 1905, autumn held a group of young artists of academic resistance, out of character and bold and unrestrained works. In this exhibition in a special room in, including Matisse, Raman grams, the virtuous orchid, mann JiaEn, docile, Obama MaErKai, Duncan, Fei the ace of the new tendency of young artists, etc. Critics Vauxcelles (walker), nasser enters into the room to foot the young artists in the painting was fierce. Just in this room, display a sculptor, the MaErKai made a close to donoghue too (Italian Renaissance sculptor carved the academic style "head of bronze. So as the statue's walker with sarcasm tone say: "look! The beast." too much, Therefore, the Fauves (called) beast, is generally used to call this group of people, for they that young artists vigor and bold and unrestrained painting called "fauvism" of the special showrooms later, also known as "trap" wild alias. This is the "fauvism."

Fauvism characteristics of For academic fauvism, their sense of betrayal of dynamic performance of thin, insufficiently impressionist style hold a defiant attitude, after continued impressionism van gogh, high Cezanne, as more and more intense pursuit of exploring the artistic expression. This pie artists, they absorb Oriental and black African sculpture art expression, pay attention to the pure modelling, habitual red, green, green, yellow etc. Intense colour eye-catching They tied with these colors, plus the big brush, simplistic lines for exaggeration, in order to achieve voice of the inner personality, the true feelings, extreme indulge revealed. With minimal depict, achieve the maximum performance of aesthetic feeling. Their works have obvious tendency of freehand brushwork in traditional Chinese painting.